Dancer Spotlight: John Cartwright

Q&A with John Cartwright

 
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CRB: What should someone expect from this show?

John Cartwright: Diversity of dance styles, beautiful music, and extraordinary dancing!

 

CRB: What's been the most challenging/fun part of the rehearsal processes?

John Cartwright: Tenley Dickey’s piece because the movement is so different and specific. She definitely has a unique movement style that is both quirky and beautiful.

 

CRB: Personally, what's been the most rewarding part of this process?

John Cartwright: The most rewarding experience has been working with so many amazing talented dancers. Everyone is so committed to their art and the amount of professionalism in the studio is outstanding. I’m truly grateful and inspired each day.

Dancer Spotlight: Eliza Weekley

Q&A with Eliza Weekley!

 
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CRB: What's been the most challenging/fun part of the rehearsal processes?

Eliza Weekley: They're all so different and challenging it's hard to choose. But if I had to pick just one, I would go with Tenley Dickey's piece. Her choreography is just so quick and nuanced but also very musical so it is hard to pick up and make look good but once you start to get into the groove of it, it is very rewarding and fun to dance!

 

CRB: Personally, what's been the most rewarding part of this process?

Eliza Weekley: Getting to work with, and dance alongside, all of these wonderful dancers & choreographers. I know this sounds very Cliché, but it's true. This is my first time dancing with CRB and I was a little caught off guard by how friendly and welcoming everyone was.

 

CRB: Why should someone see and support CRB?

Eliza Weekley: We're different. It's not everyday that you get to see dancers do pirouettes in pointe shoes and then watch them proceed to roll around on the ground in the exact same piece.

Dancer Spotlight: Miriam-Rose LeDuc

Q&A with Miriam-Rose!

 
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CRB: What's been the most challenging/fun part of the rehearsal processes?

Miriam-Rose: One of the most fun and challenging pieces for me has been Ryan Nye’s new work.  The final movement uses Max Richter’s “Infra 5”, which is one of my favorite pieces of music.  While I’ve enjoyed listening to that piece many times, I never had to truly analyze it until this choreographic process.  As both a dancer and a musician, I enjoyed the challenge of studying the piece from a musical standpoint as well as applying that musicality to the steps themselves.!

 

CRB: Why should someone see "Modern Motions?"

Miriam-Rose: Chicago Repertory Ballet is a uniquely versatile company.  With repertoire requiring anything from pointe shoes to bare feet, we truly do push ourselves to create and perform "dance that defies labels".  Not only is this versatility rewarding for us as dancers, who are constantly being challenged to grow technically and artistically, but it also makes our art approachable and relevant to the Chicago community at large. 

 

CRB: Tell the world a little about yourself!

Miriam-Rose: In addition to dancing, I enjoy playing the violin, teaching, and composing music.

Meet Django

Django

Originally from San Francisco, CA, Mr. Allegretti trained at the San
Francisco Ballet School on scholarship for ten years. He studied with Jorge
Esquivel, Parrish Maynard, Jeff Lyons and Jean-Yves Esquerre and attended
numerous summer intensives including American Ballet Theatre and Ballet
Chicago on scholarship. He danced with Ballet Theatre of Maryland as a
Principal and was featured as Cavalier and Snow King in the Nutcracker,
Prince Siegfried in Swan Lake, and in Antony Tudor’s Continuo. As a Principal
with Manassas Ballet Theatre he performed roles such as Hilarion in Giselle,
Cavalier and Snow King in The Nutcracker and the Jester in Cinderella. Mr.
Allegretti is looking forward to his first season with Chicago Repertory Ballet.


 

 

Meet Savannah

Savannah

Savannah grew up in Boise, Idaho. In 2012, she was accepted into the Butler University Dance Program on academic scholarship. During her time there she was awarded the Lynnett Jordan Schisla Dance Scholarship and Performance Awards for her roles in the Sleeping Beauty, The Nutcracker, and her soloist performance in the Midwinter Festival. She has been freelancing in the Chicago area for the past year and a half in both contemporary and classical works.


 

 

Meet Jacqueline

Jackie

Founder and choreographer of Jaxon Movement Arts, Jacqueline is joining CRB for her 6th season.


Ms. Stewart has performed for such companies as Thodos Dance Chicago, The Seldoms and various independent choreographers. Jacqueline most recently was a principle dancer for The Lyric Opera's season of Les Troyens, Eugene Onegin, My Fair Lady and The Pearl Fishers. Jacqueline has danced for Tony Award winner Chet Walker in the Broadway Presentation of Anastasia. In 2010, Stewart became the 10,000 Dollar Grand Prize Winner of The A.W.A.R.D. Show! 2010: Chicago granted by The Joyce Theatre Foundation of New York for her choreographic work. Ms. Stewart has presented her work widely in New York City at the Joyce Soho, The Ailey Citi Group Theatre, The Wild Project, Triskaleon Arts Center and extensively in Chicago. Jacqueline’s choreography has been featured for Chicago Repertory Ballet and most recently for Madison Ballet's 2015-18 seasons.

 

Meet John

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John Cartwright is originally from Madisonville, KY and began his training in Evansville, IN at the Children’s Center for Dance Education.  He continued his studies with the Kentucky Governor’s School for the Arts, Nashville Ballet, Ballet Austin, National Taiwan University of the Arts, and the Paul Taylor Dance Company. John graduated from Butler University in 2008 with a degree in Dance and Arts Administration.  He has had the privilege to perform works by Bob Fosse, Bella Lewitzky, Sybil Shearer, Ann Reinking, Val Caniprioli, Ron de Jesus, Steven Mills, Amy Seiwert, Helen Pickett, Lila York, KT Nelson, Garfield Lemonius, Kevin Iega Jeff, Lucas Crandall, Brian Enos, Autumn Eckman, Kristina Isabelle, Robyn Mineko Williams, and Wade Schaaf.  John has performed as a guest artist with Chicago-land companies such as Cerqua Rivera Dance Theater, NoMi Dance Company, Momenta Dance Company, Schaumburg Dance Ensemble, and the Berkshire Ballet Theater.

 

Before coming to Chicago, John performed and choreographed for the Louisville Ballet and Louisville’s Moving Collective.  His choreography has also been produced for main stage, touring, and educational outreach shows for Thodos Dance Chicago. John was a member of Thodos Dance Chicago for 7 seasons and was the co-artistic director of Thodos Dance Chicago’s Youth Ensemble for 5 years.  Currently, John is the Faculty Head of the Secondary Program at Hubbard Street Dance Chicago’s Youth Dance Program.  He also teaches at the North Suburban School of Dance in Northbrook, IL, The Dance Workshop in Orland Park, IL, the Lake Forest Dance Academy in Lake Forest, IL, and the Kentucky Governor’s School for the Arts, which holds their summer residency at Centre College in Danville, KY. John has appeared as a guest artist with Chicago Repertory Ballet on several occasions, including the company’s debut performance, but this is his first full season as a company member.
 

Meet Christine

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Christine Janák is delighted to be dancing with Chicago Repertory Ballet for the 2018 season. She has performed across Europe and nationally since 2012. In Switzerland and touring through Germany, and Liechtenstein, she performed as a soloist with, Cinevox, in productions of; Cinderella, Bolero, Le Sacre du Printemps, and Cielo y Tierra. In the Netherlands she performed in various works by Martine Van Santen and Rianne Slenema. Returning to her home state, she was honored to be a part of the Denver Public Works' Holocaust remembrance piece choreographed by internationally renowned choreographer  Robert Sher-Machherndl, entitled White Mirror. Again in Colorado she danced and choreographed for Mercury Dance Company. While with Ballet 5:8, here in Chicago, she performed in the world premiere of Scarlet, a retelling of the scarlet letter and various other pieces. She has a deep love for dance education and has taught in as many paces as she has danced throughout the Midwest and abroad. She enjoys photography and photo-manipulation, learning new languages and reading books.

Meet Eliza

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Eliza Weekley, originally from Athens, Ohio began her ballet training with BalletMet Columbus, where she became a trainee at the age of 16. There she was given the opportunity to work with choreographers such as Gerard Charles and Edwaard Liang and to perform alongside the company dancing corps de ballet roles in many productions including “The Nutcracker” and “Alice in Wonderland”. After graduating from high school, Ms. Weekley continued her training with the Joffrey Academy of Dance Chicago. She joined the Mezzo company of Cocodaco Dance Project, under the leadership of Ronn Stewart, in 2015, where she continued to dance up until joining CRB as an apprentice in 2018. This will be Eliza’s third season with Chicago Repertory Ballet.


Meet Luis

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 Luis was born and raised in Chicago and began his dance training with various studios throughout the city before attending the dance program at Interlochen Summer Arts Camp with an emphasis in modern technique. His passion for dance grew as he went on to earn his BFA in Dance from the University of Illinois at Urbana Champaign. While studying at the University of Illinois, he had the pleasure of performing works by Rebecca Nettl-Fiol, Jennifer Monson, Tere O’Connor, Sahar Azimi, Elijah Gibson, and Jennifer Archibald, among many others. Vazquez continued his professional training through numerous intensives including Deeply Rooted Dance Theatre, Hubbard Street Dance Chicago, and Alonzo King LINES Ballet, for which he received a scholarship to attend. Vazquez began his professional career when he joined Thodos Dance Chicago for two seasons, where he performed works by Melissa Thodos, Ann Reinking, Brian Enos, Shannon Alvis, Kevin Iega Jeff, and Garfield Lemonius. He made his debut as a professional choreographer when his piece Siren premiered at the 2017 Thodos New Dances concert. Luis was then selected as one of four winners of the Joffrey Ballet's Winning Works choreographic competition.  In his first season with Chicago Repertory Ballet Luis performed multiple works by Artistic Director Wade Schaaf, as well as works by Shannon Alvis, Tenley Dickey, and Ryan Jolicoeur-Nye. Luis is thrilled to start his second season with CRB.